As you all know, figuring out color for this film has been a nuisance for me. Little did I know that actually coloring it would be more of a nuisance, and would take what I can only assume is years to fully complete. Averaging about 2 shots a day is not good when I have 77 to do by the end of the month. I think that math all adds up to not graduating.
So, I have a compromise: I'm going to color the two bookends of the film as planned. You know, all the stuff without zombies. Unless some miracle happens, and all that coloring gets done tomorrow or the next day, I'm going to leave the middle of my film black and white and gray. It'll be so much faster for me to just take out white backgrounds from my line drawings than to color them in fully and deal with the extra layers when compositing.
I'm actually totally fine with this - not that I'm referencing either of these films by doing this, but Night Of The Living Dead was in black and white, and Quentin Tarantino totally got away with making the most violent part of Kill Bill switch to black and white. I'd say I'm in pretty good company. The music in my film makes a really dramatic shift when the zombies come on screen, and I think the color switch would only complement that. It totally goes along with the tonal and genre switch. I think I even played with this idea early on, anyway. Let's say I did, and I'm bringing it back.
Anyway, it's almost 1 AM, and I'm about to fall asleep at my computer. This blog post is over. I'll try and remember to elaborate when I'm actually conscious.